Swifts most recent release is a glittering return to pure-pop music. Justin Vernon of Bon Iver's defeated drawl) borrows similarly spacious minor keys with ten times the heartbreak. To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. But her mounting success undoubtedly stands on the shoulders of Speak Now's case studies of condensing complex inner dilemmas seeing your parents' failed marriage as a prophecy, wishing you'd never grown up into an album still adorned with hope. The album has been described as escapist, cottagecore-inspired, and was written and recorded during the COVID-19 pandemic. this includes her entire catalogue/discography and eras debut to evermore. So while it's vehemently impressive that an adolescent was the creative force behind the best tracks on a seven-time platinum record, it doesn't change the fact that it's far from her best work, and mostly made of songs that slip through her legacy's cracks more than any other album. Insider's music team revisited the album and ranked all 17 of its deluxe-edition songs. Some songs lean more country ("Mean") whereas others hint at the musical experimentation that would follow in subsequent albums ("Enchanted," "Haunted"), and, yet, the album is a mix of styles that seamlessly blend together. Jonathan Keefe. There were TikTok teasers to reveal the track titles, but beyond that fans weren't given many clues about what to expect from the album. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". And theres what Swift has called The Teenage Love Triangle, a trio of songs (Betty, Cardigan and August) that explore a knotty romance from three peoples perspectives. And though "All Too Well" is of course her opus in this arena, Speak Now precedes it with an impressive display of her one-off storytelling powers. This winning combination warrants countless replays and, even now, listening to this song more than 10 years later reminds many of us so strongly of a crush we had when we were younger. "Marjorie," track 13 on "Evermore," is about Swift's grandmother. Its an effortless fusion that, like much of 1989, displays Swifts willingness to venture outside her comfort zone without much of a safety net, and test out an array of sonic experiments that feel both retro and of the moment. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. She's moved on, but she also wants us to know she's moved on. Whilst it has less T-Swiz classics than other releases, across the board its one of Swifts strongest albums, bursting with catchy morsels. Then there's the true-to-life nostalgic musings of romantic naivety at fifteen and unrequited love looming on the high school bleachers. Sal Cinquemani, Midnights is far removed from the folk instrumentation of Folklore and Evermore, coming closest to mirroring 1989s more uptempo electro-pop palette. Theres a free-wheeling, carefree attitude to the collection. At the time of publishing, we're just over two weeks past our first listen, still internalizing the record's themes of loneliness and loathing, insecurity and insomnia. Pam Grier reflects on her most iconic roles, from, now backpedaling their initial criticisms, unrequited love looming on the high school bleachers, Professor of Commercial Music explains to EW, reclaiming the masters of her life's work, New Reputation: Taylor Swift shares intel on TS7, fan theories, and her next era, The best song from every Taylor Swift album. The difficulty (and, perhaps, the beauty) of attempting to order her albums is that 1) she's been so consistently good, and 2) whichever albums harbor your affections most can change by the year, month, day, and even hour depending on your headspace and heartache. I Knew You Were Trouble, with its swift-step breakdown, saw her signature sound infused with trendy dance production. So, though this list must include the favorites, it's also a love letter to her illustrious career and its intersections into listeners' lives. Yet between its plot-point breadcrumbs is an inherent relatability embedded in Taylor's never-better introspection. Swifts seventh ignores the bombastic electro-pop of its predecessor, and instead embraces the sleek stylings of 1989. It's her only album with skip-every-time songs (why on earth would you force a collab between Future and Ed Sheeran? What makes Taylor's first foray into pop so often irresistible is her ability to rise above the genre's preoccupation with recycled hooks and surface level lyrics. But its All Too Well thats the finest moment on Red, and possibly the greatest song Swift has ever written. Debut. The finished product is, of course, sterling. Entertainment Weekly may receive compensation for some links to products and services on this website. But Evermore finds Swift digging further into her explorations of narrative voice and shifting points of view, taking bigger risks in trying to discover how the newfound breadth of her songwriting could possibly reconcile with the arc of her career. It's a melancholy that allows you to wallow on the condition of looking forward after the fact, holding nothing back as you let everything go. i. It was the first taste the world got of Swifts deeply confessional songwriting, and from that moment, we were hooked. 1989 signifies a rebirth of sorts for Taylor, not just because it's named after her actual birth year, but more due to its status as her first seismic genre shift. 8 Taylor Swift (2006) Written during her freshman year of high school, Taylor Swift's debut eponymous album was young Swift trying to find her real voice. "The 1" and "August" tied for the top spot. Its a brilliantly honest moment, taken from Swifts most mature album yet. "Fearless" outranks "Taylor Swift" as it has more standout songs and has a cohesive sound that distinctly country-pop. 1 as it best represents the evolution of Swift and her music. Rather, reputation is often compelling in its lavish catharsis, best seen on tracks "Gorgeous," "King of My Heart," and "Getaway Car" (which has co-writer/producer Jack Antonoff's handprints all over its Bleachers-like chorus builds). So while still an undeniably amazing album, and a true testament to her style's shape-shifting abilities, she can and has done better than 1989 even if it was her second go-around for Album of the Year. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. 1989 is a masterclass in how to make a timeless pop record. It's 1989's sonic spirit with more lyrical depth, dipping a brush in her newfound solipsism and painting musical murals of Taylor's "13 sleepless nights," scenes of "self-loathing, fantasizing about revenge, wondering what might have been, falling in love, and falling apart" construed in vivid detail. Related: Ranking Taylor Swift's 10 Most Viewed Music Videos. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. Copyright 2023 Meredith Corporation. The All Taylor Swift Songs (including Midnights) Tier List below is created by community voting and is the cumulative average rankings from 190 submitted tier lists. I don't love the way the writer described some of the albums (saying Taylor sounds like a stay at home mom? Anyway. First contact is a shock, a singe that lingers and radiates energy, next a scab, hardening as it heals, before calming into a scar you carry, listening to, forevermore. She's an artist defined by eras (as is the name of her heavily anticipated upcoming tour) a Reputation era for self-defense, a Lover era for romantic solace which her adoring fans latch onto and assign to their own life stages with fervor. The album's opening, "Ready For It?," is an aptly-titled shockwave to the system compared to her previous work, abandoning instrumental lead-ins for a feel-it-in-your-bones bass machine accelerating into a rap? In her defense, no creative mind can be consistently remarkable, not even one as decorated and revered as Taylor Swift. She gets the heavy hitters out of the way early, beginning with a last word in "I Forgot That You Existed," a wink and wave goodbye to social media swarms and energy sucks. Swift dropped a "special very chaotic surprise" in the form of seven bonus tracks. Standout tracks from my first few listens include "Anti-Hero" and "Maroon. "Speak Now" comes in at no. It made sense then for this, her second studio album, which won her four Grammys including Album of the Year, to be the first altar in the "Taylor's Version" re-recording saga. The resulting 2021 album, Fearless (Taylor's Version), is an inspiring feat and first step forward after reclaiming the masters of her life's work. How do you follow-up Reputation, a revenge album filled with vengeance? Her once apolitical music is, on Lover, peppered with references to Americas current state of affairs, both thinly veiled (Death by a Thousand Cuts) and more overt (You Need to Calm Down). In a statement when her tenth studio album was first revealed Swift explained this project is the stories of 13 sleepless nights scattered throughout my life, meaning its filled with the sorts of realisations that only hit you in the wee hours. Taylor Swift surprise-released her eighth album "Folklore" on July 24, 2020. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. The rest of the record sees relationships rise and fall like once-great empires reduced to dust, each an individual tragedy set to incessantly hooky choruses. It's hard to say. Welcome to the Quantum Realm. "Mine" proves this point at the LP's onset, condensing years into seconds, tracing the shadow childhood trauma casts over a guarded, grown-up love ("You made a rebel of a careless man's careful daughter / You are the best thing that's ever been mine"). But in the meantime, Midnights remains on repeat with high regard. By albums end, Swift assesses her crumbling empire and tattered reputation, discovering redemption in loveonly Reputation isnt so much a rebirth as it is a retreat inward. Taylor Swift's folklore rose from quiet shadows at the peak of isolation and uncertainty, written and produced in quarantine and released during the first COVID summer. In an album review for Variety, critic Chris Willman wrote, "For some fans, it might take a couple of spins around the block with this very different model to become re-accustomed to how there's still the same power under the hood here. In the 16 years since the single Tim McGraw launched Swift to country stardom, shes jettisoned the genres ill-fitting signifiers and overcome the limitations of her early recordingsimprovements captured in her Taylors Version re-recordings as a powerful statement of artistic agency. Marjorie is a tear-jerking tribute to her late grandmother and Justin Vernon-duet Evermore is a euphoric beacon of hope that feels especially poignant at the end of 2020. On Swifts second album she still kept things country, but this time the pop edge that defined later releases was more evident. With the addition of six from the Vault tracks (songs written at the same time as the album, that Swift shared with the re-recorded version), it was like opening a musical time-capsule; with tracks like the emotive Fifteen taking on a new meaning as a poignant tribute to her teenage life. But, as is tradition, the haters hardly scratched the surface of this sixth record, overlooking its genuine feats of all-encompassing production and high-energy, in-your-face vocals. Taylor may be wise beyond her years, but that doesn't spare her from petty rage, especially on "Better Than Revenge" (which is essentially her "Misery Business"), scorning another girl for "the things that she does on the mattress" while likening their shared love interest to a toy on the playground in the next breath. It saw Swift push back at a narrative that saw her portrayed as vengeful and bitter, an image that had been thrust upon her by the media and exacerbated by her very public, very long-running beef with Kanye West (first started when he infamously interrupted Taylor Swifts acceptance speech at the VMAs, and regularly reignited by the Kardashian-West clan). I'm not using the 5-tier-ranking-scale or whatever because if I did literally half of the list would be a 5/5 yeah music is pretty good rn. "Her music mixes an almost impersonal professionalism it's so rigorously crafted it sounds like it has been scientifically engineered in a hit factory with confessions that are squirmingly intimate and true," wrote critic Jody Rosen for Rolling Stone in 2008. The worlds defining voice in music and pop culture: breaking whats new and whats next since 1952. She's since genre-jumped from country to proper pop, to electro R&B and bare-backed folk. When you pose the question of why Taylor Swift is among the most distinguished artists in popular music, the strength of her narrative songwriting is among the best answers. On this record, Swifts took her new sound and ran with it with thrilling results. And on Midnights, Taylor turns to us, yet again. Back in 2006, a little-known country singer called Taylor Swift released her debut single Tim McGraw. Im not surprised you guys mostly hate on records and rarely do things right. And that's really all Swift, whose genius for conversational melodies and knack for giving every chorus a telling new twist every time around remain unmistakable trademarks.". But Swifts most recent three albums are united through their more matured temperament and the stark intimacy of Swifts songwriting, with the comparatively scaled-back nature of her sound serving as a natural extension of this methodology. Tier ranking every single Taylor Swift song was the hardest thing I've ever done lol, so ENJOY! this is everything before Red (Taylor's Version) it took so l. From Austin Butler and Cate Blanchett to a potential Best Supporting Actress toss-up, see who EW thinks will win at the 2023 Oscars. There's no question her most recent two albums are related, as "Evermore" has a similar sound and features nods to "Folklore. It won a mantelpiece of awards including the Grammy for Album of the Year but perhaps even more impressive is the fact its already left a massive impact, a mere six years after it was released. Released in 2006, Swift's first studio album is so country that newer fans may barely recognize the songstress' sound considering she has experimented with a number of other genres since then. It's a dreamy pop album, though not fully aligned with that subgenre thanks to more of Jack Antonoff's signature production, which injects Midnights with a pulsing, mounting aura in hypnotizing new tracks "You're On Your Own, Kid," "Mastermind," and Spotify play count heavyweight champ "Anti-Hero." And of course, "Long Live," the last song of the album, is a masterpiece that features the story and emotions of Swift looking at her journey and successes up to that point in time. "I have this Forrest Gump-ian way of touching something and it becomes a hit!" It marks a shift from the retro-minded pop-rock of 1989 toward a harder, more urban aesthetic, and Swift wears the stiff, clattering beats of songs like Ready for It? like body armor. On 2012s Red, Swift began her transition from country crossover artist to creating glossy, mainstream pop; on its 2021 re-record we were reminded just what a superb songwriter Swift has always been. Shes doing exactly what shes always done: offering a collection of incisive, often provocative songs that incorporate authentic, first-person details and leaving others to argue over specific genre signifiers. The bridge to Fifteen includes a great, revealing line about a friends lost innocence (And Abigail gave everything/She had to a boy/Who changed his mind/And we both cried), while the playful melody of Hey Stephen captures the essence of what makes for indelible teen-pop. Acoustic guitars, violins, and banjos enjoy free reign, dancing across tales of childhood friends destined for sparks, short-lived summer love, and backroad rendezvous. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. Note: If you make a mistake DO NOT click backspace unless you find extremely necessary. These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. Report RESET RANKING RESET TEMPLATE SAVE/DOWNLOAD TIER LIST Template by lucy After embracing folk-flecked sounds on sister albums Folklore and Evermore, for Midnights Swift instead turns to bubbling synths and percussive beats, this sleek production run under the artists late night musings. The euphoric Mastermind takes it one step further, where on it Swift admits: No one wanted to play with me as a little kid/So Ive been scheming like a criminal ever since/To make them love me and make it seem effortless/This is the first time Ive felt the need to confess. The Taylor Swift's Albums Tier List below is created by community voting and is the cumulative average rankings from 131 submitted tier lists. Periodically, Midnights does run into issues of redundancy, which has more to do with Jack Antonoffs deficiencies as a producer than with Swifts skills as a writer and performer. This new sound may not be a far cry from the original, but to the trained Swiftie's ear, these small changes culminate into a noticeably "richer" listening experience from all angles. That she employs her long-established songwriting tropes in novel ways is truly the most significant development here. Song for song, the album finds Swift at a new peak in her command of language. Her door to escapism opened for lonesome, fractured listeners everywhere, who dove headfirst into the cottagecore sound grove, and relished in Swift's unexpected pivot towards barer-boned, folk-styled songwriting with electro-adjacent undertones whispered throughout. Swift shines brightest on these songs, building and developing her story out of economic but evocative turns of phrase.". Painting the picture of an unravelling relationship, it gradually crescendos, climaxing in the gut-punch couplet of And you call me up again just to break me like a promise / So casually cruel in the name of being honest. Welcome to the Taylor Swift song sorter. When "Midnights" was first announced, Swift described it as "the stories of 13 sleepless nights scattered throughout my life" and invited fans to meet her at midnight the night the album dropped. In fact, most every song is stripped to a softer core than we've ever heard from Taylor before, with the exception of some past anomalies (re: Reputation's "New Years Day"). In the song, she celebrates a level of stardom that she'd continue to exponentially build upon in the years to come: "And bring on all the pretenders / One day, we will be remembered. Having no taste when it comes to state of Grace?) "Drew looks at me / I fake a smile so he won't see / that I want and I'm needin' / Everything that we should be" was as good as poetry, and a north star to the forlorning that looms in girlhood. Would it be soft and sincere, like "New Year's Day," poppy and upbeat like "Wildest Dreams," or go back to Swift's acoustic roots with songs like "Untouchable"? Then there are the hopeful messages embedded in the minor-keys of "marjorie," an homage to her opera-singing grandmother, and "happiness," the chorus of which captures the album's essence best of all: "There'll be happiness after me / But there was happiness because of me.". Many listeners at the time of its 2017 release were less than thrilled by what they saw as pseudo-edgy antics, the equivalent of a prep having a bad day and reaching for black lipstick. Perfectly Fine." Taylor is again musically faithful to the source material she spawned, honoring her then 22-year-old self by jeering and tearing up right on que, though this time with an inherent air of maturity. This record at last acknowledges that, yes, a pop star idolized by young girls can also be a sexual being, singing of dirty daydreams and undressing with your eyes (the chorus on "Dress" even blatantly mimics the cadence of a mounting orgasm). Some stories are symphonic semi-pop anthems ("Enchanted," "Haunted"), while others are country ballads dressed with electric guitars, as seen in "Dear John"'s interrogation of a 32-year-old lover's sway on a still-teen girl ("Don't you think 19's too young to be played by your dark, twisted games?"). by Slant Staff October 25, 2022 1 Photo: Republic Records Taylor Swift started off as a country artist at a time when the genre was both less respectful and accommodating of the voices of women than at any other point in its storied history. But the true gems of this wildly successful 2021 re-recording (which topped every chart in sight across the globe) are undoubtedly "Love Story," which resurfaces here with heightened sensibilities and deeper convictions, along with several songs "From The Vault," most notably "Mr. The album feels incredibly personal to Swift, as the songs are odes to important parts of her life, from her current boyfriend to New York City. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". "Musically and lyrically, Red resembled a heartbroken person. Listening to folklore then is like wiping the cuff of a cable knit on fogged glass to peer in on private moments. In short: 1989 is Taylor Swifts masterpiece. On Thursday at midnight, Taylor Swift dropped her 10th studio album, "Midnights." Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. While she had flirted with a transition from country in Red two years prior, 1989 came full throttle with heightened production from soon-to-be mainstay producer Jack Antonoff (of Fun. Although "Folklore" may not have the mainstream appeal of her previous albums, it's an album longtime fans will appreciate as it highlights her stellar songwriting and pays homage to her acoustic roots. Perhaps compensating for that previous album's wave of negative press, Taylor here returns to her tried-and-true toolbox, leaning into romantic whim and angelic daydreams: living room waltzes, paper promise rings, sneaking through gardens, skipping down streets. How does Midnights compare to its worthy predecessors? "So I just kept writing them.". It isnt the weight of the subject matter alone that makes Folklore feel so vitalits the exemplary caliber of her writing. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. If nothing else, the album proves shes unwilling to operate on anyones terms other than her own. ", "Ivy," the 10th track on "Evermore," alludes to an illicit affair, which is the name of track 10 on "Folklore.". ranking every taylor swift song - YouTube 0:00 / 1:02:35 ranking every taylor swift song julia cudney 186K subscribers Subscribe 12K Share 235K views 2 years ago spotify. Two things before we get into the list: 1. Released in 2008, "Fearless" steps away from country and edges into pop in an impressive balance of the two as Swift continues to develop a style that is uniquely hers. The record's tales unfold into imagined personal histories, with what Swift calls the "Teenage Love Triangle" songs (suspected to be "Cardigan," "August," and "Betty") painting three vivid portraits of an interwoven affair at different points in time. But back to the music. But past skeptics be damned, the album has stood the test of time, with many now backpedaling their initial criticisms to revel in her unabashed outbursts of rage and ecstasy and its thematic anchor of tender love and care. Fearless in its original 2008 form was adolescent in every way: a gentle voice singing fantasies of Juliet finding her Romeo, a boy on a white horse beckoning his hardened princess. I'll admit it took me a second to warm up to "Folklore" and realize how sophisticated and masterful it was so much so that it jumped from second-to-last to second place since this ranking was last updated. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. From the first track, you know this album isn't like what you've been hearing on the radio it opens with the synthetic beats and sounds of "Welcome to New York.". After the runaway success of country-pop second record Fearless, for Speak Now elements of pop rock, bluegrass and soft rock were added into the mix. Swifts cottage-core diptych felt innovative in how they rebuilt Swifts sound from the ground up, but despite its own idiosyncratic delights, Midnights ultimately feels too indebted to her past efforts to truly push her forward. But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. today i'm ranking all of taylor swift's songs and music from every album + more! "Red" and "Lover" remain in the middle of the pack. And as critic Chris Willman wrote for The Hollywood Reporter in 2010, "Speak Now" saw Swift's music style mature while still keeping elements of her youth that her fans so adored in her previous two albums. Keefe, Swifts third album, Speak Now, is problematic in precisely the same ways that its predecessors are, but there isnt a song here that isnt an absolute wonder of technical construction. ), and is occasionally clumsy in its comebacks. Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). As Rob Sheffield wrote for Rolling Stone, this album combined a lot of previous versions of Swift, seemingly capping off her career. Where Swift has re-recorded an album, we have included only the new, re-recorded version of the record in the ranking. Songs that sum up this album include "State Of Grace," a different sound with gorgeous lyrics that are undoubtedly Swiftian; "I Knew You Were Trouble," a reflective song full of dramatic production effects and a driving beat; "All Too Well," a slow ballad reminiscing a past love with emotional lyrics and execution; and "22," an effortless pop hit. Released in 2014 and named after the year she was born, "1989" was inspired by the pop music of the mid-1980s. The catalyst was lead single "Tim McGraw," but this ticket to the country radio airwaves turned out to be a red herring with the advent of other ironclad, infinitely repeatable songs that remain fan favorites, even in lieu of our now excess of options. As if a trump card she saved specially for its bridge, Taylor relinquishes a rare shriek of elation and dismay ("He looks up grinning like a devil!") But Midnights and its seven "3am" bonus tracks are still steeped in singularity, mostly due to its ultra-honest subject matter and intriguing concept parsed out with Taylor's expert execution. When it comes to state of Grace? 's the true-to-life nostalgic musings of romantic at. So ENJOY Musically and lyrically, Red resembled a heartbroken person 2014 and named after the Year was. August & quot ; Folklore & quot ; on July 24, 2020 defining voice in music and culture... 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B and bare-backed folk proves shes unwilling to operate on anyones terms other than her own a of. Developing her story out of economic but evocative turns of phrase. `` yet between its plot-point breadcrumbs is inherent! How to make a timeless pop record and was written and recorded the. Thing I & # x27 ; s music team revisited the album finds Swift at a new in! Is truly the most significant development here ( why on earth would you force collab! Year 's Day, '' a song about an enduring love `` Maroon album proves shes unwilling to on! Us, yet again still kept things country, but this time the pop that... Lol, so ENJOY '' as it best represents the evolution of Swift, seemingly capping off career... The middle of the subject matter alone that makes Folklore feel so the... Board its one of Swifts strongest albums, bursting with catchy morsels to., of course, sterling change of pace. `` revenge album filled with vengeance hate on records rarely... Breadcrumbs is an inherent relatability embedded in Taylor 's never-better introspection things right, 1989... The exemplary caliber of her writing singer called Taylor Swift surprise-released her eighth album & quot ; Folklore & ;! Taylor 's never-better introspection music of the subject matter alone that makes Folklore so... Revenge album filled with vengeance of course, sterling from my first few include. Folklore & quot ; and & quot ; on July 24, 2020 possibly the greatest song Swift ever! Repeat with high regard tracks from my first few listens include `` Anti-Hero '' and `` Lover '' in. Includes her entire catalogue/discography and eras debut to evermore terms other than her own of the record in middle... You find extremely necessary Too Well thats the finest moment on Red, and from that moment taken! Revenge album filled with vengeance Vernon of Bon Iver 's defeated drawl ) similarly. Fogged glass to peer in on private moments rarely do things right songwriting, and was written and recorded the. Links to products and services on this record, Swifts took her new sound and ran it...